Sound Exposure of Choristers.
Identifieur interne : 000036 ( Main/Exploration ); précédent : 000035; suivant : 000037Sound Exposure of Choristers.
Auteurs : Stephen M. Dance [Royaume-Uni] ; Georgia Zepidou [Royaume-Uni]Source :
- Noise & health [ 1998-4030 ]
Descripteurs français
- KwdFr :
- Adolescent (MeSH), Adulte (MeSH), Bruit au travail (effets indésirables), Chant (MeSH), Enfant (MeSH), Exposition professionnelle (analyse), Femelle (MeSH), Humains (MeSH), Londres (MeSH), Musique (MeSH), Mâle (MeSH), Seuil auditif (MeSH), Surdité due au bruit (prévention et contrôle), Surdité due au bruit (étiologie), Surveillance de l'environnement (méthodes).
- MESH :
- analyse : Exposition professionnelle.
- effets indésirables : Bruit au travail.
- méthodes : Surveillance de l'environnement.
- prévention et contrôle : Surdité due au bruit.
- étiologie : Surdité due au bruit.
- Adolescent, Adulte, Chant, Enfant, Femelle, Humains, Londres, Musique, Mâle, Seuil auditif.
English descriptors
- KwdEn :
- Adolescent (MeSH), Adult (MeSH), Auditory Threshold (MeSH), Child (MeSH), Environmental Monitoring (methods), Female (MeSH), Hearing Loss, Noise-Induced (etiology), Hearing Loss, Noise-Induced (prevention & control), Humans (MeSH), London (MeSH), Male (MeSH), Music (MeSH), Noise, Occupational (adverse effects), Occupational Exposure (analysis), Singing (MeSH).
- MESH :
- geographic : London.
- adverse effects : Noise, Occupational.
- analysis : Occupational Exposure.
- etiology : Hearing Loss, Noise-Induced.
- methods : Environmental Monitoring.
- prevention & control : Hearing Loss, Noise-Induced.
- Adolescent, Adult, Auditory Threshold, Child, Female, Humans, Male, Music, Singing.
Abstract
Choir singing is a very popular activity with 4.5% of the European population regularly participating. London South Bank University was approached in January 2019 by St Paul's Cathedral to undertake noise dosimetry for the Music Department. Rehearsals and performances were identified and measured using acoustic instrumentation to determine if the choristers, adult choir, choir master or organist were compliant with the Control of Noise at Work Regulations 2005. These data were then matched to the daily and weekly work schedules of the musicians and the sound exposure estimated. The adult choir, organist and choir master were found to be under the set daily limits, 85 dBA (LEP,d). The most exposed chorister was above this limit. However, when adjusted for their shorter working year and using the weekly noise exposure limit of 87 dBA (LEP,w), the estimated exposure was compliant with the regulations. Recommendations were presented to the Music Department focusing on management techniques to reduce the weekly exposure of the choristers without effecting the spirit, tradition or musicality of the performance. It was also strongly suggested to reduce the number of performances for the boys by introducing a second choir.
DOI: 10.4103/nah.NAH_40_19
PubMed: 32098930
PubMed Central: PMC7050229
Affiliations:
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Le document en format XML
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London South Bank University was approached in January 2019 by St Paul's Cathedral to undertake noise dosimetry for the Music Department. Rehearsals and performances were identified and measured using acoustic instrumentation to determine if the choristers, adult choir, choir master or organist were compliant with the Control of Noise at Work Regulations 2005. These data were then matched to the daily and weekly work schedules of the musicians and the sound exposure estimated. The adult choir, organist and choir master were found to be under the set daily limits, 85 dBA (L<sub>EP,d</sub>). The most exposed chorister was above this limit. However, when adjusted for their shorter working year and using the weekly noise exposure limit of 87 dBA (L<sub>EP,w</sub>), the estimated exposure was compliant with the regulations. Recommendations were presented to the Music Department focusing on management techniques to reduce the weekly exposure of the choristers without effecting the spirit, tradition or musicality of the performance. It was also strongly suggested to reduce the number of performances for the boys by introducing a second choir.</div></front></TEI><pubmed><MedlineCitation Status="MEDLINE" Owner="NLM"><PMID Version="1">32098930</PMID><DateCompleted><Year>2020</Year><Month>06</Month><Day>25</Day></DateCompleted><DateRevised><Year>2020</Year><Month>06</Month><Day>25</Day></DateRevised><Article PubModel="Print"><Journal><ISSN IssnType="Electronic">1998-4030</ISSN><JournalIssue CitedMedium="Internet"><Volume>21</Volume><Issue>98</Issue><PubDate><MedlineDate>2019 Jan-Feb</MedlineDate></PubDate></JournalIssue><Title>Noise & health</Title></Journal><ArticleTitle>Sound Exposure of Choristers.</ArticleTitle><Pagination><MedlinePgn>41-46</MedlinePgn></Pagination><ELocationID EIdType="doi" ValidYN="Y">10.4103/nah.NAH_40_19</ELocationID><Abstract><AbstractText>Choir singing is a very popular activity with 4.5% of the European population regularly participating. London South Bank University was approached in January 2019 by St Paul's Cathedral to undertake noise dosimetry for the Music Department. Rehearsals and performances were identified and measured using acoustic instrumentation to determine if the choristers, adult choir, choir master or organist were compliant with the Control of Noise at Work Regulations 2005. These data were then matched to the daily and weekly work schedules of the musicians and the sound exposure estimated. The adult choir, organist and choir master were found to be under the set daily limits, 85 dBA (L<sub>EP,d</sub>). The most exposed chorister was above this limit. However, when adjusted for their shorter working year and using the weekly noise exposure limit of 87 dBA (L<sub>EP,w</sub>), the estimated exposure was compliant with the regulations. Recommendations were presented to the Music Department focusing on management techniques to reduce the weekly exposure of the choristers without effecting the spirit, tradition or musicality of the performance. It was also strongly suggested to reduce the number of performances for the boys by introducing a second choir.</AbstractText></Abstract><AuthorList CompleteYN="Y"><Author ValidYN="Y"><LastName>Dance</LastName><ForeName>Stephen M</ForeName><Initials>SM</Initials><AffiliationInfo><Affiliation>School of the Built Environment and Architecture, London South Bank University, London, UK.</Affiliation></AffiliationInfo></Author><Author ValidYN="Y"><LastName>Zepidou</LastName><ForeName>Georgia</ForeName><Initials>G</Initials><AffiliationInfo><Affiliation>School of the Built Environment and Architecture, London South Bank University, London, UK.</Affiliation></AffiliationInfo></Author></AuthorList><Language>eng</Language><PublicationTypeList><PublicationType UI="D016428">Journal Article</PublicationType></PublicationTypeList></Article><MedlineJournalInfo><Country>India</Country><MedlineTA>Noise Health</MedlineTA><NlmUniqueID>9815620</NlmUniqueID><ISSNLinking>1463-1741</ISSNLinking></MedlineJournalInfo><CitationSubset>IM</CitationSubset><MeshHeadingList><MeshHeading><DescriptorName UI="D000293" MajorTopicYN="N">Adolescent</DescriptorName></MeshHeading><MeshHeading><DescriptorName UI="D000328" MajorTopicYN="N">Adult</DescriptorName></MeshHeading><MeshHeading><DescriptorName UI="D001309" MajorTopicYN="N">Auditory Threshold</DescriptorName></MeshHeading><MeshHeading><DescriptorName UI="D002648" MajorTopicYN="N">Child</DescriptorName></MeshHeading><MeshHeading><DescriptorName UI="D004784" MajorTopicYN="N">Environmental Monitoring</DescriptorName><QualifierName UI="Q000379" MajorTopicYN="Y">methods</QualifierName></MeshHeading><MeshHeading><DescriptorName UI="D005260" MajorTopicYN="N">Female</DescriptorName></MeshHeading><MeshHeading><DescriptorName UI="D006317" MajorTopicYN="N">Hearing Loss, Noise-Induced</DescriptorName><QualifierName UI="Q000209" MajorTopicYN="Y">etiology</QualifierName><QualifierName UI="Q000517" MajorTopicYN="Y">prevention & control</QualifierName></MeshHeading><MeshHeading><DescriptorName UI="D006801" MajorTopicYN="N">Humans</DescriptorName></MeshHeading><MeshHeading><DescriptorName UI="D008131" MajorTopicYN="N" Type="Geographic">London</DescriptorName></MeshHeading><MeshHeading><DescriptorName UI="D008297" MajorTopicYN="N">Male</DescriptorName></MeshHeading><MeshHeading><DescriptorName UI="D009146" MajorTopicYN="Y">Music</DescriptorName></MeshHeading><MeshHeading><DescriptorName UI="D009623" MajorTopicYN="N">Noise, Occupational</DescriptorName><QualifierName UI="Q000009" MajorTopicYN="Y">adverse effects</QualifierName></MeshHeading><MeshHeading><DescriptorName UI="D016273" MajorTopicYN="N">Occupational Exposure</DescriptorName><QualifierName UI="Q000032" MajorTopicYN="Y">analysis</QualifierName></MeshHeading><MeshHeading><DescriptorName UI="D063346" MajorTopicYN="Y">Singing</DescriptorName></MeshHeading></MeshHeadingList><KeywordList Owner="NOTNLM"><Keyword MajorTopicYN="N">choir singing</Keyword><Keyword MajorTopicYN="N">chorister</Keyword><Keyword MajorTopicYN="N">musician</Keyword><Keyword MajorTopicYN="N">noise exposure</Keyword></KeywordList><CoiStatement>None</CoiStatement></MedlineCitation><PubmedData><History><PubMedPubDate PubStatus="entrez"><Year>2020</Year><Month>2</Month><Day>27</Day><Hour>6</Hour><Minute>0</Minute></PubMedPubDate><PubMedPubDate PubStatus="pubmed"><Year>2020</Year><Month>2</Month><Day>27</Day><Hour>6</Hour><Minute>0</Minute></PubMedPubDate><PubMedPubDate PubStatus="medline"><Year>2020</Year><Month>6</Month><Day>26</Day><Hour>6</Hour><Minute>0</Minute></PubMedPubDate></History><PublicationStatus>ppublish</PublicationStatus><ArticleIdList><ArticleId IdType="pubmed">32098930</ArticleId><ArticleId IdType="pii">NoiseHealth_2019_21_98_41_278382</ArticleId><ArticleId IdType="doi">10.4103/nah.NAH_40_19</ArticleId><ArticleId IdType="pmc">PMC7050229</ArticleId></ArticleIdList><ReferenceList><Reference><Citation>J Occup Environ Hyg. 2004 Apr;1(4):243-7</Citation><ArticleIdList><ArticleId IdType="pubmed">15204863</ArticleId></ArticleIdList></Reference><Reference><Citation>J Acoust Soc Am. 2008 Aug;124(2):926-39</Citation><ArticleIdList><ArticleId IdType="pubmed">18681585</ArticleId></ArticleIdList></Reference><Reference><Citation>J Acoust Soc Am. 1991 Jun;89(6):2793-803</Citation><ArticleIdList><ArticleId IdType="pubmed">1918623</ArticleId></ArticleIdList></Reference><Reference><Citation>Audiology. 1998 Jan-Feb;37(1):38-51</Citation><ArticleIdList><ArticleId IdType="pubmed">9474438</ArticleId></ArticleIdList></Reference></ReferenceList></PubmedData></pubmed><affiliations><list><country><li>Royaume-Uni</li></country><region><li>Angleterre</li><li>Grand Londres</li></region><settlement><li>Londres</li></settlement></list><tree><country name="Royaume-Uni"><region name="Angleterre"><name sortKey="Dance, Stephen M" sort="Dance, Stephen M" uniqKey="Dance S" first="Stephen M" last="Dance">Stephen M. Dance</name></region><name sortKey="Zepidou, Georgia" sort="Zepidou, Georgia" uniqKey="Zepidou G" first="Georgia" last="Zepidou">Georgia Zepidou</name></country></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
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